BY BENJAMIN DANGL Grassroots people’s movements around the globe have wielded histories of resistance as tools in their struggles to build a better world. Some…
Compiled by Swati Chawla, Jessica Namakkal, Kalyani Ramnath, and Lydia Walker India’s controversial Citizenship Amendment Act (CAA) was signed into law on Friday, December 12th,…
Compiled by Danielle M. Purifoy Environmental Justice (EJ) scholarship in the United States emerged in tandem with social movement activism during the 1980s. Environmental Justice…
By María Cristina García, Adam Goodman, Erika Lee, Maddalena Marinari, and Evan Taparata *Editor's Note: This essay is part of the Abusable Past's "The Border…
By Ryan Murphy A METHODOLOGY FOR U.S. LABOR HISTORY IN THE 21st CENTURY Labor history is a field with new relevance in an era of…
Compiled by Gabriel N. Rosenberg Animal Studies queries the relationship between nonhuman animals (or “animals”) and human social orders. It is an interdisciplinary field, encompassing…
Compiled by Fernando Herrera Calderón In September 2014, 43 students from the Ayotzinapa Rural Teachers' College, a school designed to train rural teachers in Mexico,…
From 2015 to 2018, historians of policing Max Felker-Kantor and Simon Balto lived within a mile of each other in Indianapolis. At the time, both…
Compiled by Emily K. Hobson Interest in queer history and queer politics have grown exponentially in recent years. Among students especially, such attention has been…
Compiled by Pam Butler In recent months, US state-level policymakers have proposed and passed increasingly severe restrictions on abortion access, with the end goal of…
A meeting of Aymara mothers as part of ayllu reconstitution efforts in Ilata, Bolivia, 1985. The group is ritually sharing and chewing coca leaves, which are spread out in the center of the gathering. Courtesy of the Andean Oral History Workshop.
Street art in Kerala, December 2019.
Image: “Shut it Down” (2017) by Roger Peet, https://justseeds.org/graphic/shut-it-down-2/
Graffiti on a stretch of border fencing between the US and Mexico calls for an end to the incarceration of immigrants. Courtesy of Christoph Buchel/Creative Commons.
Lizzie Bordern directs Born in Flames, 1983.
Accusing Cow
Wheatpaste poster created by Oaxacan street artist Yescka. https://guerilla-art.mx/tag/ayotzinapa/
“Stop Police Killings,” CAPA Papers, Southern California Library
White Night Riots flier, 1979
Our Bodies Our Rights // art by Meredith Stern (justseeds)